Woodyfest 2018: Saturday Backstage

A Crasher with a Camera

I took the sameThe Bureau brings you behind the scenes for the thirty-second install­ment of our Woodyfest 21 (2018) cov­er­age. medium for­mat gear to the Pastures of Plenty back­stage as I had on Thursday and Friday. I’ve already writ­ten about the facil­i­ties improve­ments to the out­door venue. Unless you care to read about them, I sug­gest you skip to Saturday’s pic­tures!

— Chris J. Zähller

Gallery

As I did on Thursday and Friday, I brought my Hasselblad 500C/M to the Pastures of Plenty and shot a roll of Tri-X. I was still using the wrong lens hood,The lens shade was meant for a 60 – 80mm lens but I mounted it on a 50mm lens. there­fore the images are heav­ily vignetted.

Here are the third night’s pic­tures, pre­ceded by a cou­ple of dig­i­tal images I took at the Crystal Theatre ear­lier in the after­noon.

Technical

The fol­low­ing infor­ma­tion applies to the images from the Pastures of Plenty only.

Camera

Hasselblad 500C/M with A12 back

Gepe Pro Release 20″ cable with Zeiss Disc-Lock

Lens

Carl Zeiss Distagon CF T* 50mm ƒ/4,0

Aperture

ƒ/8

Exposure

¹⁄₁₂₅^th sec­ond

ISO

400

Film

Kodak Tri-X 400 Professional 120

Lighting

Sunpak 622 Pro

Developer

Adox Adonal (Rodinal) 1:100

~60 min­utes semi-stand in Paterson Super System 4 day­light tank

Scanner

Epson Perfection v850

Software

Vuescan

Adobe Lightroom 6